Detail of Girl Reading (in progress)

I spent a day working on this painting up in Eagle River. It’s a larger work (20×24) and I’m featuring only the part of the painting that is fairly developed. One of my favorite models, my friendAnna, is modeling for me again.

What could she be finding so pleasant to read, I wonder? Something with words that fall one upon one another like rose petals and rasberries and autumn leaves and drops of dew, all gorgeous, all glowing within themselves, and all heaped up…..Something like a poem by Gerard Manley Hopkins. Here’s an example:

I CAUGHT this morning morning’s minion, king-
dom of daylight’s dauphin, dapple-dawn-drawn, Fal-
con, in his riding
Of the rolling level underneath him steady air, and
striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
As a skate’s heel sweeps smooth on a bow-bend: the
hurl and gliding
Rebuffed the big wind. My heart in hiding
Stirred for a bird, — the achieve of, the mastery of the
thing!

Brute beauty and valour and act, of, air, pride, plume, here
Buckle! AND the fire that breaks from thee then, a
billion
Times told lovelier, more dangerous, O my chevalier!

No wonder of it: sheer plod makes plough down
sillion
Shine, and blue-bleak embers, ah my dear,
Fall, gall themselves, and gash gold-vermillion.

The Windhover
To Christ our Lord
by Gerard Manley Hopkins 1877

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Why I didn’t paint this week:

I have just spent a week working for my friend, Sonja, shuttling luggage, tents and towels for a Bike Tour, so I didn’t have a chance to paint. I did get to spend some time in the Driftless Region of Wisconsin, Minnesota and Iowa, an area of high hills and coulees, with the Mississippi River running through the middle of it. I also discovered Lanesboro, Minnesota, an absolutely charming town on the Root River. It is the home of a weekly public radio show called Over the Back Fence, which Midwest Scenic Bike Tours had arranged for us to see; the Root River, where we rented kayaks and managed to lose a wedding ring, a watch and a pair of glasses in the course of several capsizes; the Root River Bike Trail; and a wonderful city park with two trout ponds (equipped with melodious fountains to keep the water aerated). There are many fine Bed and Breakfasts and the food at the Riverside is wonderful. I visited the Cornucopia Art Center, where I particularly admired the atmospheric paintings of Adam Reef and the textural photographs of Ron Germundson.

This week I’m going to Eagle River, Wisconsin on vacation. I will not be able to blog, but I WILL BE ABLE TO PAINT! (I’ve just finished packing my paints and equipment.) I’m suffering withdrawal.

The Unlikeliest Hunting Dog

Despite the market wisdom of Daily Painter blog gurus,  that one shouldn’t blog a painting on a Friday, and because this was the week that my daughter went to France and didn’t have a thing to wear (meaning that I had to spend two days shopping and doing laundry), I am blogging on Friday.

I couldn’t come up with a solitary line of poetry out of my overtaxed brain to describe this “unlikeliest hunting dog”, my Pug, Velvet, with pheasants. The humor is all in the picture and in Velvet’s overt response to the “take”. It was my husband, Matt’s, joke. He took the picture and surprised me with it. I think it makes a wonderful, counter-Field and Stream-culture painting.

Mighty Hunter, 5×7 on canvas board, Artist’s Collection

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Bust of a Victorian Girl on a Red Chair

I pretty much finished this painting today with the scent of lilacs blooming around the house and wafting in through the screen doors. It’s darkish outside and the air is increasingly humid. Occasionally splatters of rain strike the windows. However, mentally I’ve been junketing with Amelia Peabody in brilliant, hot Egypt. I didn’t initially like Elizabeth Peter’s formidable, archaeologist heroine because I thought her unbearably conceited and her husband, Emerson, beyond endurance. I’ve become used to them now, as one does to good people one spends time with. Eventually one becomes immune to their more obnoxious idiosyncrasies. I would quite like to meet Amelia now, although I still can’t stomach her husband. (Amelia is blind though. I do so wish she’d dump him for Sethos.) Perhaps this bust is of the lovely, orphaned, rescued and adopted Nefret.

Bust of a Victorian Girl, oil on canvas, 12×16, Private Collection

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The Old Trysting Tree I

The Old Trysting Tree I

The Old Trysting Tree I

It’s spring, the beginning of a long riding season!

I’ve been working again on the idea of an out-of-the-way trysting place, where lovers met on horseback or on foot and in secret. I was inspired by a print I bought in an antique store I was passing in Minnesota — it must have been on a calendar or the illustration for a literary magazine — and bought because I loved the idea.

This painting is my first effort, perhaps I should say “installment”. The model for the girl is my daughter’s friend, Katie, on her horse, Dillon. (For Portrait of Katie, see Polishing Her Boots in my Gallery at nonahyytinen.com.)

This past weekend I tried another pose, with my daughter, Iphigeneia, on her horse, Pelee. I imagine her finding the place and touching it’s barely discernible initials carved into the bark of an old oak. I’ll post it as soon as I’m finished. In the meantime, I’m still working on the Bust of the Girl on the Red Chair.

Here’s a lyric of Edna St. Vincent Millay’s:

The Betrothal

Oh, come, my lad, or go, my lad,
And love me if you like.
I shall not hear the door shut
Nor the knocker strike.

Oh, bring me gifts or beg me gifts,
And wed me if you will.
I’d make a man a good wife,
Sensible and still.

And why should I be cold, my lad,
And why should you repine,
Because I love a dark head
That never will be mine?

I might as well be easing you
As lie alone in bed
And waste the night in wanting
A cruel dark head.

You might as well be calling yours
What never will be his,
And one of us be happy.
There’s few enough as is.

The Old Trysting Tree I, 8×10 on canvas, $160.00 USD

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Beauty is in the Eye of the Beholder

The more I looked at my Pug and Bust, the more it seemed as if the pug’s butt was glued to the base of the statue. I had to change it! So here is the new version. The Chinese Characters on the wall actually read, “Beauty is in the Eye of the Beholder,” and the pug seems to be begging the question…..Who is the Beholder in this relationship, you or me?

Beauty is in the Eye of the Beholder, 6×8 on canvas, Sold

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Pug with Glamorous Legs

I had great fun doing this painting of my pug, Pippin, appearing with my friend Stacy’s lovely legs and her satin and lace shoes. (HER legs have appeared in catalogs, so she is a pro. Not so my Pippin. You can see him raising first one paw, then another. He didn’t quite know how to pose, but I can assure you that this posture is characteristic, if nothing else.)

As I promised myself last week, I painted at our North Woods cabin, enjoying the new greens of the spring forest through the window, listening to Josh Grobin and Enya as my husband, Matt, froze his buns off fishing for walleyes in a 39 degree wind.
I tried hard to keep the brush strokes painterly and textured. There is violet peeping through in the carpet and black visible through scraping on the green of the wall. The legs and hand are painted rather loosely, for all that the canvas is only 8×10 and rather complex. I haven’t gotten back to the Victorian Bust and the Red Chair, since I have to set the still life up in my studio again and take advantage of natural light to finish it. I have a large painting underway, the one I was frustrated with when I painted the Lemon Cake. I will work on that this weekend again in the North Woods.

I hadn’t been to our cabin since last July and when I’m up there, my eye is niggled by all the potential subjects. The beauty of spring is so fleeting before Wisconsin settles into the heavy greenness of summer. Our yard at Rosewind is currently resplendant with flowering apple trees and lilacs. Meanwhile, I come and go about my tasks instead of setting my easle up and painting the apple blossoms. They only last only a few days.

If we’re up north longer than just the three day weekend, I’ll hope to paint a very tasty looking Chocolate Croissant I have reserved.

Pug with Glamorous Legs, 8×10 on canvas board, Sold

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Marble Girl on Red Chair in Progress

I enjoyed painting this marble bust of a Victorian Girl in miniature, so I decided to do it again on a larger canvas. I chose the red chair and blue drapery to set off the pearly brightness of the marble. (It’s one of my favorite color combinations for decorating.) When I return to the stilllife, I will have to warm up my whites; it’s easy to see in this photo that the tones of the bust I’ve brushed in so far are too cool.

I’m going away for the weekend and won’t be able to work on the Marble Girl until next week. However, I am taking a small painting with me and plan to work on it as I enjoy looking out of our cabin at the lacy, budding branches of Wisconsin’s Northwoods in May, and in between hikes in the woods and lazy hours (?) spent reading a novel. (I’m just finishing Ian McEwan’s “Atonement”, which is so wonderfully written. Wow!) It’s another Pug painting….I feel a rash of Pug paintings coming on. If all goes well, I will be able to post the completed “Pug With Glamorous Legs” next week.

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