Category Archives: Uncategorized

Santa Fe, New Mexico

Greetings from the Bandelier National Monument! After the workshop in Scottsdale, I drove my rental Nissan Rogue to Santa Fe, another Art Mecca. The historic city has over 100 galleries. Absolute bliss! Fortunately for me, my friend Andrea, her husband Jack, and daughers, Estee, Ellie and Eramis were going to be there at the same time. Andrea found us houses — actual houses! — called Casitas to stay in. They were located on a quiet street just two blocks from the Historic Plaza, where the Palace of the Governors was built in 1640! (I’m a history buff, but I had no idea.)

Jack and Andrea’s Casita….Very nice.

My Casita.

The Patio behind my Casita. It was in the 50s in Santa Fe. This would have a great place to have dinner and a bottle of wine if the temperature had been about 20 degrees warmer. As it was, it was about 40 degrees warmer than Wisconsin.

Posted by Picasa

Homework in Progress

It wouldn’t take too much to finish this painting: a couple of hours, more refinements. The picture above is my second step and the picture below is my third. The next will be the last. I’m leaving tomorrow for Scottsdale, AZ and getting ready for the trip has to take first place. This is the first time I’ve attended a workshop so far away. I’ve ordered canvases and paints to be delivered to the Scottsdale Artist’s School in time for my class. I’m only bringing a palette, a turps jar, brushes and an apron in my suitcase. Hopefully I will come back inspired to try techniques foreign to me. That’s the way it is with workshops. You get to see how a better painter works. Implementing their method, one feels awkward and hampered. Their method, the precise brushes they use, are unfamiliar. One feels they are beginning all over again.

In addition to visiting galleries, I’m looking forward to hiking amidst pueblos. I’ve never spent any time in the Southwest, so I’m eager to explore. I will blog about my experiences when I get back.

Here’s a poem by Sylva Gaboudikan:

COME BACK SAFELY

Even to say goodbye
even if it’s the last time
even reluctantly

even to hurt me again
even with the harsh acid
of sarcasm that stings

even with a new kind of pain
even fresh from the embrace
of another. Come back, just come.

Translated by Diana Der Hovanessian

Posted by Picasa

Wordsworth and his Sister get out there and walk!

We’re experiencing our first BIG winter storm. I wasn’t even able to make it out of our driveway for work and so, am blogging while I wait for the plows. The picture is of our neighbor horse cavorting in the snow, very much in the spirit of the poet, William Wordsworth, and his sister, Dorothy, who almost two centuries and a decade ago this week, went on a walking tour of the Lake District of England where they lived, for the enjoyment of itand to see the landscape of mountains and waterfalls in the brisk winter air.

They rode 22 miles on horseback, the first day, then hiked another 12 miles to their first lodgings. Wow! Are modern Americans wimps or what? On the next morning, the ground bore a thin covering of snow — granted, it wasn’t a foot, or even six inches — but, “Twas a keen frosty morning,” William wrote a week later, “showers of snow threatening us, but the sun bright and active; we had a task of 21 miles to perform in a short winter’s day.” They turned aside to see a waterfall. “On a nearer approach the water seemed to fall down a tall arch or rather nitch which had shaped itself by insensible moulderings in the wall of an old castle. We left this spot with reluctance, but highly exhilerated.” At another waterfall, in the afternoon, “The stream shot from the rows of icicles in irregular fits of strength and with a body of water that momentarily varied. Sometimes it threw itself into the basin in one continued curve, sometimes it was interrupted almost midway in its fall and being blown toward us fell at no great distance from our feet like the heaviest thunder shower. In such a situation you have at every moment a feeling of the presence of the sky. Above the highest point of the waterfall, large fleecy clouds drove over our heads and the sky appeared of a blue more than usually brilliant.” I can testify to the feeling of the presense of the sky in the Lake District. The clouds seem to race over the tall fells, shadowing the lakes and distant hillsides in a flowing pattern. It’s spectacular, always changing.

William and his sister spent four days walking across the Pennine Mountains for the exhileration of it. Life was slower paced then, I realize, and simpler for these two middle class people. They weren’t racing to don their clothes and wolf down some breakfast so they could get in their cars to race to work, then run errands, then race home to fix dinner and spend the evening spectating other people’s lives on the television or computer, stultified in mind and body. Dorothy, I’d like to point out, made this trip in long skirts! How I would love to have known them!

Rebecca Solnit, who wrote “Wanderlust: A History of Walking,” claims that the Wordsworths “are said to have made walking into something…new and thereby to have founded the whole lineage of those who walk for its own sake and for the pleasure of being in the landscape.”

So, I would like to invite my family and my friends to imitate these Eighteenth Century nature lovers and get out there and walk!

(Thanks to John Nichols, associate editor of the Capital Times, whose column brought Wordsworths’ hike and Rebecca Solnit’s book to my attention.)

Posted by Picasa

Phantom in Progress

Well, it has arrived, the weekend of the Fall Art Tour. Southwest Wisconsin will draw hundreds of visitors to tour the studios of working artists, enjoy the fall colors, listen to live music and eat in the many excellent restaurants in the area. It’s a very good time. We artists will demonstrating our crafts and showing off a year’s work. I will be working on this painting, inspired by the Phantom of the Opera. It’s 24×36, a fairly large canvas. I’m thoroughly enjoying the romance of the concept. As soon as I’m finished I’ll blog the result, but here are a couple of areas of the painting that are pretty well developed.

My daughter found this quote from Simonides, a Greek poet, to put on my portrait brochure (right up my alley because I was a Greek major in college):

“Painting is silent poetry and poetry is painting with the gift of speech.”

Posted by Picasa

Detail of Girl Reading (in progress)

I spent a day working on this painting up in Eagle River. It’s a larger work (20×24) and I’m featuring only the part of the painting that is fairly developed. One of my favorite models, my friendAnna, is modeling for me again.

What could she be finding so pleasant to read, I wonder? Something with words that fall one upon one another like rose petals and rasberries and autumn leaves and drops of dew, all gorgeous, all glowing within themselves, and all heaped up…..Something like a poem by Gerard Manley Hopkins. Here’s an example:

I CAUGHT this morning morning’s minion, king-
dom of daylight’s dauphin, dapple-dawn-drawn, Fal-
con, in his riding
Of the rolling level underneath him steady air, and
striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
As a skate’s heel sweeps smooth on a bow-bend: the
hurl and gliding
Rebuffed the big wind. My heart in hiding
Stirred for a bird, — the achieve of, the mastery of the
thing!

Brute beauty and valour and act, of, air, pride, plume, here
Buckle! AND the fire that breaks from thee then, a
billion
Times told lovelier, more dangerous, O my chevalier!

No wonder of it: sheer plod makes plough down
sillion
Shine, and blue-bleak embers, ah my dear,
Fall, gall themselves, and gash gold-vermillion.

The Windhover
To Christ our Lord
by Gerard Manley Hopkins 1877

Posted by Picasa

Why I didn’t paint this week:

I have just spent a week working for my friend, Sonja, shuttling luggage, tents and towels for a Bike Tour, so I didn’t have a chance to paint. I did get to spend some time in the Driftless Region of Wisconsin, Minnesota and Iowa, an area of high hills and coulees, with the Mississippi River running through the middle of it. I also discovered Lanesboro, Minnesota, an absolutely charming town on the Root River. It is the home of a weekly public radio show called Over the Back Fence, which Midwest Scenic Bike Tours had arranged for us to see; the Root River, where we rented kayaks and managed to lose a wedding ring, a watch and a pair of glasses in the course of several capsizes; the Root River Bike Trail; and a wonderful city park with two trout ponds (equipped with melodious fountains to keep the water aerated). There are many fine Bed and Breakfasts and the food at the Riverside is wonderful. I visited the Cornucopia Art Center, where I particularly admired the atmospheric paintings of Adam Reef and the textural photographs of Ron Germundson.

This week I’m going to Eagle River, Wisconsin on vacation. I will not be able to blog, but I WILL BE ABLE TO PAINT! (I’ve just finished packing my paints and equipment.) I’m suffering withdrawal.

Marble Girl on Red Chair in Progress

I enjoyed painting this marble bust of a Victorian Girl in miniature, so I decided to do it again on a larger canvas. I chose the red chair and blue drapery to set off the pearly brightness of the marble. (It’s one of my favorite color combinations for decorating.) When I return to the stilllife, I will have to warm up my whites; it’s easy to see in this photo that the tones of the bust I’ve brushed in so far are too cool.

I’m going away for the weekend and won’t be able to work on the Marble Girl until next week. However, I am taking a small painting with me and plan to work on it as I enjoy looking out of our cabin at the lacy, budding branches of Wisconsin’s Northwoods in May, and in between hikes in the woods and lazy hours (?) spent reading a novel. (I’m just finishing Ian McEwan’s “Atonement”, which is so wonderfully written. Wow!) It’s another Pug painting….I feel a rash of Pug paintings coming on. If all goes well, I will be able to post the completed “Pug With Glamorous Legs” next week.

Posted by Picasa

Vincent in Progress

This is a painting I’m currently working on, to be titled “Vincent and the Chocolate Brownie,” after Edna St. Vincent Millay — she went by Vincent, for short. Of all love poets, she is the one who resonates most with me because of her gallant and self-mocking spirit. The following sonnet well illustrates her pluck:

Let you not say of me when I am old,
In pretty worship of my withered hands
Forgetting who I am, and how the sands
Of such a life as mine run red and gold
Even to the ultimate sifting dust, “Behold,
Here walketh passionless age!” — for there expands
A curious superstition in these lands,
And by its leave some weightless tales are told.
In me no lenten wicks watch out the night;
I am the booth where Folly holds her fair;
Impious no less in ruin than in strength,
When I lie crumbled to the earth at length,
Let you not say, “Upon this reverend site
The righteous groaned and beat their breasts in prayer.”

I decided to post this painting at this point to show how I am employing Sgraffito (from Italian “graffiare”, to scratch) in order inscribe a sonnet on the cover of the journal lying beneath the biography, and the gold filigree design on the blue book to the right of the plate. I over-painted a pale pink ground on the journal, then scratched the lines of a sonnet into it. The yellow on the cover of the blue book will be over-painted with blue, then scratched through to the gold. At this point I have not done much work on the porcelain plate or the table cloth beneath the books. When I post the completed painting, I will also post the sonnet that is inscribed on the journal.

Posted by Picasa